Blurring indoors and outdoors through raw rocks

Blurring indoors and outdoors through raw rocks

May 22, 2021

What seems like a mansion in a Marrocon dessert environment, at first sight, turns out to be a building located in Xihu District, Hangzhou City, Zhejiang Province, to provide scene shootings for commercial productions. This project was submitted for the FRAME awards, and though the description text is a tad short, we’d like to publish it; there is much to look at what is happening in China in the field of interior design and architecture.

With the change of the weather and the time of day, the facade of the whole building presents a rich light and shadow structure. Sunlight and water are complementary elements that play a significant role in the scenery with a blue water storage pool that blends into rocks and green plants.
The eclectic spatial combination of the interior gets different feelings through the area; natural and raw rocks on the ground connect seamlessly with the outdoor landscape. Ancient furniture and weathered wood are displayed through allowing for ever-changing backdrops for photo shootings.

Project by Hangzhou Mountain Soil Interior Design

Blurring indoors and outdoors with raw rocks

Blurring indoors and outdoors with raw rocks

Blurring indoors and outdoors with raw rocks

Blurring indoors and outdoors with raw rocks

Blurring indoors and outdoors with raw rocks

Blurring indoors and outdoors with raw rocks

Project by Mountain Soil Interior Design.

RELATED POSTS

How the questions about new materials have changed in the past 18 months

Over the last 18 months, we have been watching something interesting happen in the way people search for new materials

Top 9 Finds at Homo Faber 2026 and a few stories to remember

Of all trade shows, festivals, exhibitions, Homo Faber is the one you need to experience in person. This was my

The return of Le Salon – not an emerging trend but a revival of what already existed

While reading Pablo Picasso’s autobiography, I found myself drawn not only to the artists of early twentieth-century Paris, but to

[]